Tony Tetuila Sets the Record Straight on His Role in The Remedies After Eedris Abdulkareem’s Claims

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Eedris Abdulkareem’s assertions have been called into question by Tony Tetuila, the golden-voiced icon from the era of The Remedies, in a bizarre development that has sparked widespread interest in popular culture. The events transpired subsequent to Abdulkareem’s recent podcast featuring salacious details, which implied that Tetuila’s induction into the renowned, presently defunct collective was motivated more by pity than by talent.

Tony Tetuila Sets the Record Straight on His Role in The Remedies After Eedris Abdulkareem's Claims
Tony Tetuila and Eedris Abdulkareem

Abdulkareem asserts that he and Eldee were the founding members of The Remedies, while Tetuila entered the scene in an attempt to demonstrate Abdulkareem’s vocal prowess. The location of the meeting? At a performance in Ilorin, Kwara State, they purportedly encountered Tetuila enthusiastic about performing alongside them. Abdulkareem envisioned a Tetuila who was so enthusiastic about performing that they were unable to refuse his presence, with the intention of enhancing their repertoire of songs.

Nonetheless, Tetuila will not tolerate this historical account without opposition. He uploaded to his TikTok a reaction video that is just as fiery as his 1990s songs. Tetuila, overcome with dismay as he observed Abdulkareem reveal the information, did not hold back when he referred to his ex-bandmate as a “bloody liar” and delivered severe verbal blows. “I am utterly disheartened by this individual; he is a blatant liar; it is incomprehensible that an adult of his age would tell lies.” “Poor Na GOD, punish those who lie,” he replied, evidently uninterested in the revisionist history.

This fanback has generated considerable excitement within the fanbase, elevating a discourse that is as antiquated as the dissolution of bands. Could it be that Tetuila entered The Remedies riding the wave of empathy, or is this an instance of Abdulkareem’s sour grapes? The unfolding of the narrative serves as a poignant reminder of the enduring drama inherent in fame, friendship, and the unifying and polarising power of music. Undoubtedly, the pop news community is present and attentively observing this contentious dispute between these two prominent figures in Nigerian music, as they vie for the attention of the general public.

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